They said because the week had gone so swimmingly well, I could come along and have a look, so I went along. ![]() “There was a particular day that came along where they were going to make a buy, purchasing 40 kilos of cocaine from these Columbians to establish a relationship with them – these were working undercover cops. “We spent a lot of time with some undercover cops, running scenarios and having spent over a week with this set of guys, I felt I’d formed some kind of trust with them,” Farrell says, cracking a trademark cheeky grin. “Oh, you heard about that?” The Irish-born star asks as Foxx breaks into a fit of laughter. As good as our crews are, there’s nothing as exciting as the real texture of it, of the real people on the screen.”Ĭreating reality was a painful experience for Colin Farrell, especially when it came to field research. It’s things you can’t begin to artificially create here. “I find that if you can bring your actors into those environments and really have them be your background, that audiences sense the kind of truth telling style of the environment that the action is happening in. ![]() Just kick back with either Collateral or Heat in your disc-spinner and notice how the locations and cityscapes hook into your consciousness, bright but somewhat superficial, beautiful but somehow stained. One thing that remains the same - and is a factor that can be traced back through Mann’s movies - is the heightened sense of the characters’ surroundings. Farrell’s Crockett is joined by Jamie Foxx’s Ricardo Tubbs as they battle to salvage an undercover drug operation that is falling like a house of cards.
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